Thursday, February 16, 2012

Your "Fairytale" is a Broken Dream


"Seems that I have been held, in some dreaming state
A tourist in the waking world, never quite awake
No kiss, no gentle word could wake me from this slumber
Until I realise that it was you who held me under



Felt it in my fist, in my feet, in the hollows of my eyelids
Shaking through my skull, through my spine and down through my ribs



No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world



And I could hear the thunder and see the lightning crack
All around the world was waking, I never could go back
Cos all the walls of dreaming, they were torn right open
And finally it seemed that the spell was broken



And all my bones began to shake, my eyes flew open
And all my bones began to shake, my eyes flew open



No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world



Snow White's stitching up the circuitboards
Synapse slipping through the hidden door
Snow White's stitching up the circuitboard



No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world



Snow White's stitching up the circuitboards
Synapse slipping through the hidden door
Snow White's stitching up the circuitboard
Synapse slipping through the hidden door"


"Blinding" by Florence and the Machine has quickly become my favorite song in the short time since I first heard it.

It catches a person's attention with the unique beginning of a crow's echoing caw, and a girl's laughter and screaming while gentle music plays in the background. When main singer, Florence starts in, her deep voiced vocals and unusual lyrics make this song truly intriguing.

For an overall summary, I believe this song is about growing up, realizing that one cannot be a little girl when it comes to love. You can't be the princess dreaming for her prince all the time. Eventually the princess needs to help herself and move on past the prince who failed to "rescue her". She is blinded, therefore the song title. The song carries many themes that remind the listener of a fairy tale. The garden, the spell, "no kiss that can wake her from her slumber" alluding to Sleeping Beauty and the mention of Snow White. She likens her experience and herself to a fairy tale. Along with the caw of the crow in the first moments of the song, one hears a girl's laughter. This also has an echo to it, suggesting that it's a part of her dream in which she can laugh.

The first four lines emphasize this fact by demonstrating that the world the singer is in is fake, something fabricated within the subconscious of her mind. She doesn't belong there, as indicated by the word "tourist", her prince won't save her from the unreality and eventually it's revealed to be his fault. He entrapped her there in her dream world by encouraging it.

The next lines about her bones shaking makes me think that she feels the urge to break free from the delusions. Under her eyelids, her eyes begin to move. She is waking up from that dream.

The following chorus about death being undone could possibly mean that she is attempting to put him past her, to "bury" him. She is willing herself not to turn back and dig him back up. There can't be any more of that. Calling for a crow makes the image of her yelling ugly. The crow is definitely no song-bird, she would be "cawing" for him. It's an obnoxious, loud sound. It is out of place and unpleasant. The next lines are pretty self-explanatory, going off of the "getting over him" theme. She describes herself as a girl, not a woman, telling that her love for the boy was immature. She says "wrong world", also indicating that it isn't right. She doesn't belong in that world, nor does her love.

Coming out of that dream was like a storm to her. It was unyielding and undeniable, such as the sound of  thunder and the crack of lightning can be. The lyrics are literal from there. She woke up and was unable to regress back to what she had felt.The "dream was torn open" and the "spell was broken". Reality has come crashing down on her.

The next two lines reiterate that the more time passes, the more she wakes up and leaves the dream behind. No longer can she feel it in her eyes, but her eyelids fly open. She is fully awake and aware now. The dream is completely gone.

After a repeat of the chorus, we find a more confusing and abstract couple of lines. Here we have the mention of Snow White, the character from a famous fairy tale. Though there are many interpretations one could make of this, I believe that "Snow White stitching up the circuit boards" refers to her putting her life back together and jump-starting it. It brings up the image of her sewing back pieces of something that will ignite and move things along. "Synapse slipping through the hidden door" could mean that she can't function like she used to. Courtesy of the Merriam Webster Dictionary, a synapse is defined as the point at which a nervous impulse passes from one neuron to another, and this brings the imagery of some discord among her brain. Being forced into reality has put her brain on the fritz as she "slips through the hidden door". The door is hidden, meaning she won't find it again. Not after she has gone through it.

This song is very magical in my eyes, with its allusions to fairy tales and it gives me the feeling of being in a forest. I like the theme of growing up and not being caught in an idealized love, all the while putting a dark, dreary spin on the reality that falling in love isn't always good, especially if you have "Prince Charming" expectations. Even if I find another favorite song in the future, this one will forever have a place in my heart.


Thursday, February 2, 2012

The Ballad of Bleach


Who knew that one could find a ballad inside the story of a manga?
Bleach is the tale of a fifteen year old boy who receives Death God (or as in the original Japanese, shinigami) powers from a female Death God named Rukia so that he can protect his family from an evil spirit. She loses all of her powers and has to teach him how to use them. After spending a lot of time together, the two become close friends.
However, her giving her Death God powers to an ordinary human is a crime in her world (the Soul Society), and she is taken back to her home to be executed. She saves him from being killed by her captors and leaves. Ichigo is not about to let the one who gave him the powers to protect his loved ones be sentenced to death.

After thinking on it for a while, I have found that his journey to save the Death God, Rukia, is very similar to a ballad, whether the author knows it or not, which I will explain.

Ichigo is, first of all, a male character whose main identity is as a protector. Upon receiving Death God powers from Rukia, he is able to protect his loved ones from evil spirits. He is strong and brave and he has high morals. He can't stand seeing someone hurt or crying. Yet he doesn't perfectly fit the ballad's traditional hero because he is brash and stubborn. He respects only those who earn his respect, and even then he sometimes refers to them familiarly. There is no doubt, though, that he is definitely the hero of the story who must save the girl.

We see her being arrested and Ichigo is frustrated. He is unhappy that he wasn't able to save her from being taken. (Important for understanding: In manga, dialogue is read from right to left.)


 Later on, he and his friends infiltrate the Soul Society in order to rescue Rukia. The Soul Society, as mentioned before, is another spiritual dimension altogether, therefore fitting the "far far away" classification. His main purpose is to save her.
Along the way to saving her, he goes through a difficult type of training that awakens his darker side, the demonic side of him (the "dragon" of a typical ballad). It is literally another side of him hidden within his mind. He is forced to fight his other side in order to live so that he can forge on to regain power to save Rukia.

 It is also worth noting that his inner side has in fact labeled himself as the horse that lends Ichigo his power, while Ichigo is the king who uses the horse's strength in battle.


 During his journey, he meets many other antagonists who can also fit the "dragon" description, but his inner demon is possibly the most significant, being his own personal dark side that he must defeat (literally).

Ichigo and Rukia are reunited several times, and forced to part upon interference from enemies and unfortunate circumstances. Each time, emphasis is put on their interactions with each other. Manga being a visual medium, it shows the significance and importance of the two finding each other and reuniting once more. It makes it seem that much more important for the hero to save the damsel.

Sadly, he doesn't manage to rescue her that time and must fall back to train once more.
Finally the time comes for Rukia to be executed. This is the moment that time seems to stop as it looks like all of Ichigo's efforts are wasted and the damsel is sacrificed without being saved. She mentally thanks her friends and Ichigo for being there for her as she is nearly killed.



But wait!
What's this?!




It is the cheesy heroic cliché as Ichigo gets there just in time to save her. He blocks the large, fiery guillotine (remembering this is a supernatural fantasy series, the guillotine is the shape of a large bird that is on fire). Overused and unmistakable, the hero arrives at the last moment and his image is emphasized as he takes her from the scaffold she was nearly killed upon.


Note how the author took care in drawing the hero much larger in comparison to the girl he's saving. Though the way he holds her isn't necessarily romantic, the scene and imagery says it all. Hardly any background, a picture that takes up the whole page. It just screams at the reader how majestic this scene is supposed to be.
Many battles ensue, and the real antagonist is revealed. Ichigo is able make peace with the residents of the Soul Society. He finds Rukia to tell her that they are leaving.


Here we find an ironic contradiction to the usual ballad tradition. Instead of the two riding off into the sunset, hero victorious and damsel returning, the damsel is going to stay in the place she needed to be saved from.


Even the hero is surprised! He was so caught up in saving her, he forgets that the Soul Society is where she belongs.


But of course, it's her home. Her friends are not against her anymore and it's where she as a Death God belongs. The two part...



...and are later reunited once more.


So perhaps it's not the best description of a ballad, but it follows the clichéd storyline so well that you can't doubt what the author was going for. Maybe there's another word for it in Japanese, but whatever is used to label it, it is unmistakably a ballad inside of a story. Damsel is taken, hero trains and fights his own personal "dragons", and saves the girl. And even though this time they didn't return home together and end up happily ever after, there is a sense of completeness at the end. It is happy, though not ever after. Yet...